"Faery Craft" offers a glittering introduction to the Fae and the people who love them. You'll find nearly 200 beautiful photographs and illustrations, and simple yet effective ideas on how to engage with this wondrous realm. This gorgeous guidebook explores all things Faery, from the amazing variety of magical beings to natural gateways to the Faery realm. Discover how to practice Faery spirituality and magic, create altars, and find a Faery ally. Brimming over with practical advice, Faery Craft features an original Faery zodiac, guidance on Faery etiquette and prohibitions, and instructions on how to find your own unique gifts and place in the Faery world. Those already enchanted by Faery beings will love the book's original art, meditations, and poetry, as well as interviews with Faery authors, artists, and musicians, including R. J. Stewart, John and Caitlin Matthews, Brian an d Wendy Froud, Linda Ravenscroft, S. J. Tucker, and Charles de Lint.
The pimp has reached nearly mythical status. We are fascinated by the question of how a guy from the ghetto with no startup capital and no credit -- nothing but the words out of his mouth -- comes not only to have a stable of sexy women who consider him "their man," but to drive a Rolls, sport diamonds, and wear custom suits and alligator shoes from Italy. Shrouded in mystery for centuries, the Sphinx of Giza has frustrated many who have attempted to discover its original purpose. Accounts exist of the Sphinx as an oracle, as Songs of Kabir: A 15th Century Sufi Literary Classic ebook pdf a king's burial chamber, and as a temple for initiation into the Hermetic Mysteries. Egyptologists have argued for decades about whether there are secret chambers underneath the Sphinx, why the head-to-body ratio is out of proportion, and whose face adorns it. In The Sphinx Mystery, Robert Temple addresses the many mysteries of the Sphinx. He presents eyewitness accounts, published over a period of 281 years, of people who saw the secret chambers and even went inside them before they were sealed in 1926--accounts that had been forgotten until the author rediscovered them. He also describes his own exploration of a tunnel at the rear of the Sphinx, perhaps used for obtaining sacred divinatory dreams. Robert Temple reveals that the Sphinx was originally a monumental Anubis, the Egyptian jackal god, and that its face is that of a Middle Kingdom Pharaoh, Amenemhet II, which was a later re-carving.
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